
Juliano-Villani’s irreverent artistry is fueled by her obsession with consumer culture and social taboo, resulting in a mirage of distorted iconography. Augmenting this strategy with an awareness of representational painting’s history, she produces images derived from a personal archive of books, magazines, and photographs, as well as from online sources. Using acrylic, airbrush, and oil painting techniques, she incorporates fragments of her own writing and elements of the work of other artists such as Danish painter and sculptor Ovartaci (1894–1985). Juliano-Villani’s work also refers to cartoons, addressing racial, sexual, and social stereotypes through their mischievous wit and unsettling ambiguity. For her, these kinds of images are “democratic, based on impulse and speed; much like a sniper with a vision.”
New York-based Emerging Artist Chase Hall's New Exhibition at David Kordansky Gallery. The Bathers continues Hall’s ongoing investigation into the complex histories of coastal regions and the ocean’s depth, featuring a new body of work that addresses access and limitations to nature, leisure, public space, and Black adventurism. Hall works with a mixture of acrylic paint and brewed coffee on cotton canvas to render portraits of figures living amongst animals, playing sports, and congregating in sharply focused aquatic scenes. Using the expanse of the canvas—and drawing on his personal experiences of moving between states such as Minnesota, Illinois, Nevada, Colorado, California, and New York, where he would locate water in and around these regions—Hall complicates traditional understandings of race, class, mixedness, and geography within historically charged social landscapes with painterly rigor.
Njideka Akunyili Crosby's exhibition of new and recent work at David Zwillner's 519 West 19th Street debuted at David Zwillner Los Angeles in May 2023, and is Akunyili Crosby's first solo exhibition in New York.
My Anxious Self, a major exhibition of paintings by the late Tetsuya Ishida (1973-2005), is on view at Gagosian, 555 West 24th Street, New York, beginning September 12. Curated by Cecilia Alemani, the survey follows the announcement of Gagosian’s global representation of the Tetsuya Ishida Estate, which, along with notable private collections and the Shizuoka Prefectural Museum of Art, Japan, lent more than eighty works to the exhibition. My Anxious Self is the most comprehensive exhibition of the artist’s work to have been staged outside of Japan, and his first ever in New York.
The exhibition presents a group of Richter’s last paintings, made in 2016–2017; a number of these abstract oil paintings will be shown here for the first time. Though Richter completed his last paintings in 2017, his dynamic practice continues his artistic inquiries into the possibilities of abstraction and perception through his ongoing experimentation with drawing, printing and sculpture.
Richter has produced a new glass installation that continues his exploration of the human perspective and the built environment. An expansive suite of new works on paper from 2021–2022—some made with ink and others with graphite and colored pencil—are also on view, as well as works related to the artist’s mood series of colored ink sketches. As Dieter Schwarz notes, Richter’s new work “has transformed into the celebration of the visible and this celebration is driving new chapters in [his] indefatigable creativity.”
Dia Art Foundation and the Houston and Menil Collections present an exhibition of Chryssa's work at Dia Chelsea, a gallery in Chelsea operated by the Dia Art Foundation. The Greek-born artist has been under-recognized for decades and has made radical use of billboards, text, and neon in a practice that connects the ideas of Pop, Conceptual, and Minimalist art-making Chryssa & New York is proud to present the first exhibition of this artist in the United States since 1982. Focusing on Chryssa's New York-based practice from the late 1950s through the early 1970s, the exhibition will feature major loans from museums and collections in the U.S. and Europe. will premiere at the Dia Chelsea in New York in March 2023 and open at the Menil Collection in September 2023. The exhibition will travel to 659 Wrightwood in Chicago in May 2024.
Exhibition of Franz West's work now on view at David Zwirner. Echolalia, a major installation by Austrian artist Franz West from 2010, on view at the gallery’s 533 West 19th Street location in New York. The installation brings together several strands of inquiry that run throughout West’s decades-long career, integrating the viewer within an immersive, total environment. Not exhibited publicly in more than ten years, Echolalia represents the apotheosis of West’s commitment to sculpture as social space.
Gagosian present an exhibition of new paintings by Y.Z. Kami “Night and Day". Opening January 17 at 555 West 24th Street, this will be the artist’s first solo exhibition in New York since 2014. Night and Day juxtaposes two distinct bodies of work by Kami: the portrait paintings that have been at the center of his practice for more than three decades, and Night Paintings, a series that he began in 2017. In conjunction with Endless Prayers, Dome paintings, and other ongoing projects, the Iranian American artist’s oeuvre represents a deep consideration of representation and abstraction, humanism and spirituality.
David Zwirner present an exhibition of works by Felix Gonzalez-Torres. Spanning the gallery’s 519, 525, and 533 West 19th Street spaces in New York, the exhibition will feature four major installations—two of which have never been realized in the manner envisioned by Gonzalez-Torres before his untimely death in 1996 from complications related to AIDS. This will be the second solo exhibition of Gonzalez-Torres’s work at David